Showing posts with label Jaisalmer. Show all posts
Showing posts with label Jaisalmer. Show all posts

Thursday, December 17, 2020

Playing for the Maharaja


 "Playing for the Maharaja"

Color Pencil. Jaisalmer, India

©2020 Melissa Enderle


It is the day of the Gangaur festival in this ancient city of Jaisalmer. I'm doubly giddy about the festival celebrating our goddess of love and marriage this year since my granddaughter is in the procession of other eligible young females eager for love. She looks so beautiful and grown-up in her new dress and jewelry. Plus I'm one of the musicians selected to perform. Both me and my trusty kamaycha instrument are a bit worn but we both will sing out our best today. I've already performed some songs that beseech the goddess Gauri to bless these young women with prosperous marriages. Behold! The Maharaja has arrived! I quickly switch to a song singing the praises of His Highness. May he and his family live a long, prosperous life! The Golden City of Jaisalmer loves you!

See more of my artwork from India and other places on my website.

Thursday, December 10, 2009

On the Haveli Balcony, Jaisalmer (Watercolor)



I live in the upper floor of a haveli located within the walls of the Jaisalmer Fort. From here, I can see the events of the day, whether it be as exciting as a festival or as mundane as a cow meandering through the narrow streets below. Around me, I see other magnificent 19th century havelis carved with equally intricate designs, but some of them are beginning to crumble, the owners unable to manage the upkeep costs. To help make ends meet, my family has set up a textile crafts shop in the lower level. As for me, I want no part of it.  This floor also has stone latticed windows that were once meant to be the way women were to see the world, but I find them stifling. I much prefer my balcony, with its smooth worn stone seat and open view to the world.

Artwork available for sale. 
Blank greeting cards can be purchased at Zazzle

Sunday, December 06, 2009

Young Girl, Jaisalmer (Pastel)



Today we are celebrating the festival of Gangaur, held in honor of the Goddess Gauri. I have dressed up in my very best, including new jewelry fashioned in Jaipur. Mehendi designs adorn my hands, applied lovingly by my older sister. I have been fasting for 18 days and hope that my devotion will bring me good luck when it comes time for me to find a husband. As I stand in line with the other young girls waiting for the procession to begin, I am in amazement of the scene before me. The sounds of the Rawanhatha, bagpipes, Surpeti instruments, and many drums fill the air. A large crowd has gathered, made up of locals and tourists. Cameras and cell phones are pointed our way, capturing the festive scene. Brightly decorated camels also await the procession. I clutch my metal pot, careful not to drop the coconut placed inside. The golden, bejeweled statue of Ganguar has just emerged from the stairs of the Royal Palace, carried by young men in splendid costumes. Soon we will follow the statue of Gauri, singing songs as we make our way to the lake.

Kamaycha Player, Jaisalmer (Color Pencil)



Although I have been playing my instrument here in front of the Royal Palace for as along as I can remember, I can honestly say that music remains a joy, not a job. For I have the best seat of the house, privy to some of the most colorful, spectacular events that have occurred in Rajasthan, all in this splendid courtyard. Even the desert sands blowing through this city cannot smother the gaiety and happiness that fills this fort. Nowadays, most of my customers are tourists. Whether they pause for a brief moment or stay for a while, I almost always see a smile emerge. Perhaps it is the music, or maybe it is the atmosphere and energy exuding from this magical place.

Blank greeting cards can be purchased at Zazzle

Tuesday, September 29, 2009

Pastel painting - Young Girl, Jaisalmer



I just completed this pastel painting of a young girl from Jaisalmer, Rajasthan (India). She was part of the Ganguar Festival. See all my India paintings on Flickr.

Wednesday, May 20, 2009

Cherry-flavored or Grape?

Somehow the red popsicle seemed a bit incongruous with the rest of the scene; brightly clad grown women donning chunky tribal jewelry who were trying to sell cheap anklets. But on hot days such as today (when it was 113°F/45°C) I'm sure that popsicle was a welcomed treat...

Monday, April 27, 2009

Camel Safari, Day One

The following morning we boarded a jeep and left still-sleepy Jaisalmer for our safari trip. Traveling at a decent speed on the straight, smooth roads, we passed by road signs in Hindi, camels, the occasional hut, and some sheep. Sometimes the jeep had to brake for the sheep & goats which decided to occupy the road. As colors began to fill the morning sky, we got out and took a few photos. The camels and camel drivers were already waiting for us, warmly greeting us in good English. As one of the camel drivers prepared us breakfast of toast & homemade jam, boiled eggs, and fruit, an elderly shepherd wearing a bright orange turban and white kurta (long loose-fitting button shirt and loose pygama-like pants) joined us. In his hand was a decorative staff. A perfect photo opportunity, I asked the man through a camel guide if I could take his photo. Upon being told by my friend that he was so handsome, his dark skin around wrinkled in a smile. Seeing us apply sunscreen, he asked if he could borrow some. Working some of the white lotion through his mustache, the shepherd expertly encouraged a curl to appear. Still having quite a bit of sunscreen left, he paused for a moment and then rubbed the lotion all over his face and over his eyes. Our turbaned friend was then ready for his photo-op. Shortly thereafter, a brother and sister emerged onto the sandy scene. He was wearing a crotched Muslim cap and she wore a long skirt, short top embroidered with metallic thread, and an apron-like garment. On her head was a patterned veil. Covering her upper and forearms were wide silver bracelets, complemented by an equally chunky silver necklace. In a nostril was a large gold disk, matched by earrings of the same size.

With our camels all loaded up with food & water provisions for people and grasses for the camels, we mounted our camels. Very quickly I recalled the stretching sensation between my thighs that I had experienced when riding camels previously in the Sahara Desert both in Douz (Tunisia) and Timbuktu (Mali). This trek was going to be longer, so I had better get used to riding a wide animal. As the rider and camel acclimated to each other, the camel drivers handed us the reins. Sometimes my camel wanted to veer from the caravan to sample some leaves of a tree, but otherwise the camels typically followed each other quite well. Once in a while we took a stretching and water break. For lunch we lazed under the shade of a tree as we ate our freshly-made chappati bread and rice. Small birds chirped away and sometimes came quite close to us, accompanying the quietly blowing breeze with their sweet song. With the hottest part of the day gone and everyone refreshed from a catnap, we once again mounted our camels, holding on as the creature awkwardly transitioned from a kneeling to a standing position. With a forward & backward rocking motion, our camels moved onward, navigating around tall plants that reminded me of milkweed, prickly bushes, and a few scrubby trees. Sometimes we would spot a flock of sheep or goats, whose presence was made known in advance by the tinkling of bells around their necks. Many of these goats had long, floppy ears, horns, and long fur. Occasionally we would spot other animals including peacocks, quails, female camels, antelope, and large flying birds. One of my friends spotted an intact camel skeleton and loaded its skull into a burlap bag tied onto her camel. No doubt that skull would provide plenty of conversations to come.

The sun now low, we stopped for the evening on a wide band of golden sand. Nearly devoid of any plant life, its rippled dunes reminded me of Tunisia, but on a much smaller scale. While we waited for our meal to be prepared, we walked on the soft dunes in the warm late-afternoon light. Holes of rather small sizes were spotted everywhere, created by lizards, mice, and snakes. Still smaller holes were dug by the dung beetle. Slithering tracks and patterned 6-leg marks gave clue to the artists. The sound of peacocks and peahens added to the musical composition of camels, birds, and the sheep/goat bells. A short distance away we saw another small caravan of tourists, the only other group we saw. Along one dune I spotted some tiny white seashells. What were they doing there? How old were they? The shells didn’t equal my finds of shaped flint, petrified shells, red & yellow coral, and ostrich shell pieces from the Sahara Desert, but they were a nice memento anyways.

Having spotted the first evening stars, we gathered around the campfire and checked on the progress of our supper. The rice and veggies were cooking, chai (sweet tea) served, and our always-happy camel driver was working flour into bottled water. We all tried our hand at making chappatis, but ours never looked as thin, flat and round as his. With plenty of food to go around, we shared our bounty with a shepherd boy who joined us for a while. The silence of the desert was broken only by the camel drivers’ cell phones, complaints by the camels, and our conversations around the fire. As the night wore on, the clouds left the sky and the stars became visible. During the night I heard the chewing of a nearby camel getting louder. It had managed to drag the weighted bag around its neck towards the large bag of feed near me, proceeding to eat a large portion of food reserved for the following day. If a camel could belch, he sure should have.

See more photos of our camel safari on Flickr

Sunday, April 26, 2009

Jaisalmer havelis and colorful citizens


After a leisurely breakfast on top of our hotel, we began our architectural tour of the old city. The morning light cast sculptural shadows on the sandstone havelis, built by weathy merchants in the 19th and 20th centuries. I was particularly drawn to the protruding latticed jalis, whose intricate screens were masterfully carved out of sandstone. I imagined the women who once gazed through these windows, capturing glimpses of the outside world without being noticed. Some of the havelis were converted into hotels; others contained tempting textiles and crafts of Rajasthan.

The narrow streets were a hub of quiet activity and life. Women sat on the doorsteps watching passers-by. Water poured from pipes out of the homes and into the street gutters. Men got their daily shave at barber’s. A punji player sat in a corner, puffing his cheeks as he blew through the instrument. Children sat on the floor of their school, a view framed through the large open door. Colorful marionettes hung on a wall, waiting for a buyer. Colorful laundry was strung out against a whitewashed façade. Cows meandered through the streets; a long-haired goat rested in the shade, its ruffled pink tufts on its head causing curious glances.

The bus station and local markets provided particularly colorful photographic opportunities. Men wearing various colored turbans chatted as they sipped chai and caught up on the latest gossip. Women wearing tribal jewelry and dress sold vegetables and clay pots. A religious swamy paused and smiled at us before walking on, fingering the natural beads around his neck. Women carried cooking gear on their heads, gracefully walking through the busy street.

Tired from sightseeing and shopping, we enjoyed a saffron lassi at a restaurant overlooking the fort’s courtyard. Lights illuminated the courtyard’s occupants - some dogs and cows. The dogs began fighting, at which time the cows got up, charging at the dogs and effectively breaking up the fight. Satisfied with their work, the cows then laid down and rested.

See more photos of Jaisalmer on Flickr

Saturday, April 25, 2009

Walking through the Jaisalmer Fort



Once again out on the main courtyard just outside of the palace, it was easy to imagine the events that occurred in this square; announcements of the maharaja, extravagant entertainment for VIPs, and the assemblage of troops ready to do battle. Following a cow’s lead, I meandered through narrow stone-paved alleys, past temples, residents outside their doors, and a seemingly endless number of shopkeepers inviting me to look inside their shop. Sometimes the cows got a bit feisty, butting passers-by. Others lazed in the middle of the path. All left their “calling card” along the way, forcing people to watch where they were stepping. Although most of this ancient living fort was in remarkable shape, there were reminders of its precarious situation. Some of the buildings were in ruins and a few bastions had collapsed, the high water demands placing stress on its structure. Large amounts of rubbish was dumped along one part of the fortress’ walls, leading us to question whether the view was worth maneuvering around the litter.

In front of one house freshly-painted blue with a mural of Ganesh and dates below it were some women applying henna to their feet and hands. As one of the young women quickly and confidently squeezed out the henna onto the hands and feet of my friend, she explained that she had been recently married and that the date below the Ganesh mural marked her wedding. Strung between her house and the building across the narrow street was a mesh of grid-like silver tinsel. A girl created mehendi on my hand as well, but the designs were less elaborate and reminded me more of doodles, revealing that she had a lot of practicing to do before being ready to adorn the hands and feet of friends and relatives for important events.


See more photos of Jaisalmer on Flickr

Friday, April 24, 2009

Rajmahal, Jaisalmer



Continuing onward through the series of imposing gates and smooth pavement stones of the fort, I hurried past the souvenir vendors and headed to the Rajmahal, the former maharaja’s seven-storey palace. The included audio tour provided additional information as I made my way through the open courtyard, mirrored and painted rooms, blue tiles, short doorways (so people would adopt a humble pose), throne, stone-carved lattice windows, up the unevenly spaced narrow stairs and to the rooftop. From here I had a panoramic view of the fort, including its myriad of shops and temples of the Jain and Hindu varieties. Pigeons flew by, landing on the bangaldar eaves and other overhangs. Round rocks that looked like cannonballs were perched on top of some battlements, appearing ready for approaching invaders. Past the walls of the fort built in 1156 lay the city down below and beyond that the barren landscape of the Great Thar Desert.

See more photos of Jaisalmer on Flickr

Wednesday, April 22, 2009

Train Ride to Jaisslamer

Grabbing some fruit & water from the train station, we boarded into the 2nd class non-AC sleeper car. On schedule, the train rocked into motion, bound for its final destination of Jaisalmer. Bordering the train tracks were small, shabby-looking dwellings - a large contrast to the tree and flower-lined spacious boulevards and stately buildings we saw a few hours earlier. As evening descended, the windows were closed to prevent the mosquitoes and dust from entering. The fan above only operated at a high speed, so I was particularly grateful for the bedsheet I had brought along. Despite the repeated stops (Express doesn’t mean direct without stops), noise, occasional smells from the bathroom, and requests to show our ticket, we somehow managed to get a few hours of sleep.

The emerging colors of dawn beckoned me to sit up. Before us was a vastly different landscape. The green of Delhi was replaced by brown barren-looking earth, interrupted by occasional scrubby trees or huts constructed of stone slabs or mud. Carefully piled stones or fences made out of the same vertical stone slabs demarcated the fields. Wheat grew in some fields, with the mostly female workers harvesting by hand, gathering bundles together likely in much the same way as they did in Biblical times. The train stopped for various intervals, with the train begging to empty as we neared our desert destination. A life-blood of these Indian towns, the small train stations enabled us to glimpse part of its events: a young woman brightly clad in a odhni scarf and matching sari talking on her cell phone with her bonnet-clad infant looking up at her with his eyeliner-decorated eyes, two wrinkled men wearing red turbans chatting as they sip sweet tea, and a woman patiently squatting on the platform with a watch peeking through the large collection of bangles around her wrist. To one side of the track I see men already taking their first tea break of the day, pausing from their labor of constructing a track using concrete railroad ties. As the train once again begins, we pass by a truck carrying a mound of colorful mattresses. Children run towards the train and wave, excitedly pointing as we wave back.