In several spots within Xingqing Park, I spotted some people, mostly elderly gentlemen, doing a curious form of painting. At the end of a metal rod was a flexible piece of foam shaped to a point, just like a paintbrush. With a dip of the foam brush into water from a cutoff bottle, the man begins his temporary art form. Known as Di Shu, which means writing on the ground/Earth, this art form has gained in popularity since the 1990's, spreading to parks all over China.
The process seemed to be several things at once –meditation, exercise, art, literature, and
conversation. For some, it is a way to celebrate brush calligraphy in an era where most writing occurs on a keyboard. At times, the man was in his own little world. At other times, he engaged with onlookers. After a short discussion, he went back to adding more characters. After a short while, the once glistening characters would have faded, evaporating to invisibility. This reminds me of another beautiful temporary art form of south India - the kolam. Interestingly enough, I didn't see any of the Di Shu calligraphy artists photographing their writing. This further contrasts it with ink calligraphy, which prides itself with long-life.
Would you expend energy making such impermanent art?
For more information on Di Shu water calligraphy, check out this and this article.
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