Saturday, August 01, 2015
Thursday, July 30, 2015
While in the Yi lacquerware shop in Shuhe, I was invited to help participate in the making of dumplings. Wednesdays were the night that several Yi families would gather to make communal dinner. I was asked to help with stuffing and then closing the dumplings. After observing one woman expertly doing this process, I attempted to copy her steps. I have to admit that mine were rather easy to spot, not nearly as neatly crimped as those of the other women.
|I'm rather easy to spot in the photo above - the only redhead of the dumpling gang.|
I loved how everyone helped out in the process, whether it be rolling out the dough, chopping up the ingredients, steaming the dumplings, or distributing the finished meal and drinks.
|Melissa and Paul, owner of the Azeala lacquer shop|
Despite my substandard dumpling making skills and language challenges, I was made to feel a part of the group. One of the young women asked me to give her an "American" name - I selected the name Ruth, reminiscent of the strong Biblical female. They then gave me the Chinese name "Malisha," as it was close to my American name.
|Melissa "Malisha" and my new friend "Ruth"|
Tuesday, July 28, 2015
Hangzhou and the province of Yunnan where I visited are known for their tea. Entire trade routes were set up here and through treacherous paths to Tibet for trading tea. The shops posted here contained a huge variety of tea, with a bewildering variety of packaging, preparation types, flavors, and prices. I did see a few people purchasing items, but lacking the knowledge of the tea itself and the labeling (most was in Chinese only), I decided to purchase the tea for my cousin elsewhere.
|What beautiful patterning at this store in Shuhe|
|More tea stores in Shaxi|
Most restaurants I visited, as well as some of the guest houses, provided complimentary tea. In the picture above, that large silver thermos at my guesthouse was filled with hot water and intended solely for me. Dried tea leaves were already placed in the cup, to which my host continued to pour hot water. Its delicate flavor was enjoyed without any additions such as milk or sweetener - much different than the tea I had in other countries, particularly India (I do love chai), Tunisia (sweet and served with pine nuts), and Mali (sweet "gunpowder" tea).
Sunday, July 26, 2015
As I meandered through the streets of Shuhe, I spotted a decorative gate through which more shops were located. The hand-painted red, yellow and black bowls caught my eye; these were not cheap-looking mass-produced touristic crap pieces. I felt compelled to enter the shop and look around. Shortly thereafter, a kind man from the store approached me and patiently showed me around, answering my many questions. Joel Zheng was one of the people who ran the shop. Although there are many people in the Yunnan province who are also from the Yi ethnic group, he came from a smaller village in the Sichuan province and came to Shuhe hoping for a larger market.
The bowls and vases that had caught my eye were lacquer pieces. Lacquerware making of both utensils and art pieces dates back between 1,700 and 1,600 years in the Yi ethnic group. The pieces Joel had in his shop were made from Azalea wood, which grows well in the higher altitudes of his village.
The process of making the lacquer pieces is more complex than what the finished piece might initially appear to be. The bowls above show fourteen different stages. According to Joel, a bowl might take between 40-50 days, due to the number of stages and drying time. To my surprise, the bangles took 50-60 days - which helped explain why their prices were higher than I would have expected for a bangle.
Lacquer art in the Yi ethnic group is usually done by men. The brush bristle is made from the tail of a sheep. The background color is typically black, made from ash. It represents the earth, and may also symbolize dignity and decency. The red color, made from minerals, represents fire and connotes bravery and enthusiasm. Yellow is the third color typically used. Also made from minerals, yellow represents the sun and symbolizes beauty and brightness.
Designs are directly painted on the piece, without the use of stencils or even preparatory sketching. Such an approach requires many years of experience, practicing first on substandard pieces. Many of the patterns are derived from nature. One would find patterns representing nature items such as mountains, sun, waves, rivers, cocks combs, ferns, flowers, fires, fishnets, and the bull/cow eyes.
|The swirls on this bowl represent the eyes of a cow|
|Mouse over the image to see a few symbols|
Friday, July 24, 2015
On my final night in Hangzhou, my cousin and I went to see Impression West Lake. Although a bit more expensive (prices started at $42 and VIP prices were at $100), it was an enjoyable show set right on the West Lake (a platform was built 3 cm below the surface). Directed by Zhang Yimou who is most noted for developing the opening and closing ceremonies of the Beijing Olympics, the love story was enhanced by startling light effects and beautiful music by Kitaro.
Although I didn't understand everything presented (symbolism, based on a Hangzhou legend), it was enjoyable to watch. The show included hundreds of actors and encompassed a rather wide area in some sections. I would have loved to have seen it closer and observe the intricate costumes.
Wednesday, July 22, 2015
After visiting the Lingyin Temple, we took a cable car up the mountain. Below us were some emerald-green tea fields. Known as Longjing Tea, the highly-prized (and expensive) tea from the area is grown. Longjing Tea is pan-roasted and was given the distinction of being labeled by the Qing dynasty emperor Kangxi as Imperial Tea.
From the top, we had a good view of the surroundings, including West Lake in the distance. Too bad it was hazy.
Monday, July 20, 2015
On a very rainy morning, I decided to head to the Hu Xueyan Mansion, just a few minute's walk from the historical Qinghefang Street in Hangzhou. Constructed in 1872, the mansion covered an area of 5,815 square meters (19,078 sq ft). A successful businessman, Hu became wealthy after investing in banking, tea, silk, and medicine.
A pavilion and pond with koi was a central part of the mansion.
The Hu Mansion comprises of over 20 buildings arranged in the typical landscape style south of the Yangtze River and is an excellent example of the architectural style of the late Qing dynasty. Zigzag bridges (designed to thwart evil spirits who could only travel in a straight line) and covered walkways took visitors to different parts of the mansion. Some rooms were opened and had some furniture and other furnishings for view. I also found the servant's quarter interesting, with a very rare telephone from the era.